This is the list of all solo Viennese performances accompanied with the orchestra group. The Full-record list is preceded by the Short List which shows only the date and the performer. By clicking on the date you will be linked directly to the full record located below. The Short List is also interlinked with the Compact Disc records that feature solos with orchestra. All the entries are presented in the chronological order, where the latest - or the one in preparation - will always be cited on the top.
Should you know of any other solo Viennese performances with the orchestra, you are welcome to send an update to the Contact address.
Short List:
| Click on date to open the full record | |
| Date: | Performer: |
| Oct. 4, 2009 | Bret Simner |
| Oct. 3, 2009 | Edicson Ruiz |
| Aug. 27, 2009 | Darija Andjelic-Andzakovic |
| June 11, 2009 | Bret Simner |
| May 1-2, 2009 | Deborah Dunham |
| Jan. 26, 2008 | Jeffrey Beecher |
| Jan. 27, 2008 | Jeffrey Beecher |
| Jan. 10, 2006 - CD | David Sinclair |
| July 25, 2005 | Edicson Ruiz |
| 2005 | Radoslav aina |
| 2004 | Radoslav aina |
| Oct. 9-11, 2003 - CD | Lars Baunkilde |
| Nov. 18, 2000 | Tobias Glöckler |
| June 10, 2000 | Esko Laine |
| Mar. 6, 2000 - CD | Chi-Chi Nwanoku |
| June 2-3, 1999 | Esko Laine |
| May 1997 - CD | Lars Baunkilde |
| April 26, 1997 | Igor Pecevski |
| Mar. 13, 1997 | Chi-chi Nwanoku |
| Mar. 12, 1997 | Chi-chi Nwanoku |
| Mar. 11, 1997 | Chi-chi Nwanoku |
| Dec. 13, 1996 | Chi-chi Nwanoku |
| Dec. 12, 1996 | Chi-chi Nwanoku |
| Nov. 22, 1992 - CD | Radoslav aina |
| Nov. 10, 1991 | Wilmer Fawcett |
| July 27, 1991 | Peter Buckoke |
| April 4, 1991 | Igor Pecevski |
| Jan. 27, 1989 | Chi-chi Nwanoku |
| Dec. 18, 1982 - rec. | Wilmer Fawcett |
Full record list:
Upcoming Performances: No information available at this time
Past performances:
| Performance date : | October 4, 2009 - 11 am |
| Performer: | Bret Simner |
| String setup: | 5 string D setup - gut strings |
| Instrument: | Stadlmann (from the Instrument Collection of the Musikinstrumenten-Museum Berlin ) |
| Composer - Work - Work #: | W. Pichl - Concerto in D per il Violone Principale Dittersdorf - Duetto in Es J.B. Vanhal - Concerto in Eb per il Contrabasso |
| Ensemble: | "Ensemble Pischelberger" |
| Location: | Musikinstrumenten-Museum Berlin , Berlin, Germany |
| Link: | Musikinstrumenten-Museum Berlin - concert announcement |
| Concert Announcement: | pdf flyer |
| Notes: |
| Performance date : | October 3, 2009 |
| Performer: | Edicson Ruiz |
| String setup: | 4 string D and Eb setups - steel strings |
| Instrument: | |
| Composer - Work - Work #: | J. M. Sperger - Aria " Se lene, del tuo fuoco " - H III /2 (D setup) W. A. Mozart - Aria Per questa bella mano - K. 612 (D setup) C. D. v Dittersdorf - Concerto per il Violone K. 171 (E flat setup) F. A. Hoffmeister - Concerto in Es-Dur per il Contrabasso - [no.3] (Eb setup) J. B. Vanhal - Concerto in Eb per il Contrabass - W. II h (Eb setup) |
| Ensemble: | Orquesta Sinfónica Simón Bolîvar |
| Location: | Caracas, Venezuela |
| Recording: | Video links: • J. M. Sperger - Aria " Se lene, del tuo fuoco " - H III/2 • W. A. Mozart - Aria Per questa bella mano - K. 612 • C. D. v Dittersdorf - Concerto per il Violone K. 171, 1 st mov. • C. D. v Dittersdorf - Concerto per il Violone K. 171, 2 nd mov. • C. D. v Dittersdorf - Concerto per il Violone K. 171, 3 rd mov. • F. A. Hoffmeister - Concerto in Es-Dur per il Contrabasso 1 st mov. • F. A. Hoffmeister - Concerto in Es-Dur per il Contrabasso 2 nd mov. • F. A. Hoffmeister - Concerto in Es-Dur per il Contrabasso 3 rd mov. • J.B. Vanhal - Concerto in Eb per il Contrabass - W. II h, 1 st mov. • J.B. Vanhal - Concerto in Eb per il Contrabass - W. II h, 2 nd mov. • J.B. Vanhal - Concerto in Eb per il Contrabass - W. II h, 3 rd mov. |
| Notes: | This is probably the first integral performance of Dittersdorf, Vanhal and Hoffmeister concertos along with Sperger and Mozart arias ever to occur in the world! Congratualtions! |
| Performance date : | August 27, 2009 - 8pm |
| Performers: | Darija Andjelic-Andzakovic (solo bass), Amelia Giles (violin 1), Fiona Haughton (violin 2), Wen Chuan Lin (viola), Yoon Bee Jee (cello), Alanna Jones (double bass), Candy Lai (harpsichord) |
| String setup: | 4 string Eb setup - steel strings |
| Instrument: | French bass ca. 1900, flat back (see poster) |
| Composer - Work - Work #: | Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso - Krebs 172 |
| Concert title: | "Looking at the 3rd/4th Dimension" Lecture-recital about Viennese tuning. |
| Occasion: | Masters minor recital |
| Location: | School of Music, University of Auckland, New Zealand |
| Recording Available: | yes (video) |
| Poster: | jpeg image of the poster - Hannah Gross photography and Rob Schultze editing |
| Notes: | This performance has occurred as a part of the lecture recital for the Master of Music degree requirement at the University of Auckland School of Music. The concerto was performed from Daria's own edition in the original key of Eb, without any cuts and featuring a harpsichord continuo part. The faculty supervisors for this project were
U. of Auckland professors Margaret Cooke (Baroque violoncello) and John Harrison (double bass). Unless proven otherwise, this is the first public Viennese bass performance in New Zealand. |
| Performance date : | June 11, 2009 - 10 am |
| Performer: | Bret Simner |
| String setup: | 5 string - D setup |
| Instrument: | Willer (Prague ca. 1770) |
| Composer - Work - Work #: | W. Pichl - Concerto in D per il Violone Principale J.B. Vanhal - Concerto in Eb per il Contrabasso |
| Concert title: | Recital "Viennese Double Bass" |
| Location: | Eisenhower Chapel, Penn State University, PA, USA |
| Recording Available: | |
| Notes: | This performance has occurred in conjunction with the International Society of Bassists 2009 Convention at Penn State University. |
| Performance date : | May 1-2, 2009 - 8 pm |
| Performer: | Deborah Dunham (db) ; Kevin Deas (bass-baritone) |
| String setup: | D setup, |
| Instrument: | Johann Georg Thir, 1770 |
| Composer - Work - Work #: | W. A. Mozart - Per questa bella mano - K. 612 other repertoie on the concert: Michael Haydn - Requiem in C minor W. A. Mozart - "Basta vincesti" K.486a Joseph Haydn - Symphony No. 102 |
| Concert title: | Mozart & The Haydns |
| Ensemble: | Boston Baroque |
| Conductor: | Martin Perlman |
| Location: | New England Conservatory, Jordan Hall, Boston MA, USA |
| Recording Available: | |
| Links: | Boston Baroque, Deborah Dunham feature |
| Concert Reviews: | Boston Globe, May 5 2009 |
| Performance date : | January 26, 2008 - 7:30 pm |
| Performer: | Jeffrey Beecher (db) ; Jonathan Lemalu (bass) |
| String setup: | 4 string D setup - steel strings |
| Instrument: | Giovanni Battista Rogeri - Brescia, 1690 |
| Composer - Work - Work #: | W. A. Mozart - Per questa bella mano - K. 612 other repertoire on the concert: W. A. Mozart - Piano Concerto No. 12, K. 414 W. A. Mozart - Arias featuring Mr. Lemalu W. A. Mozart - Symphony No. 36, K. 425 Linz |
| Occasion: | TSO "Mozart@252 Festival" - Connoisseur Series |
| Concert title: | Mozart Linz Symphony |
| Ensemble: | Toronto Symphony Orchestra |
| Conductor: | Peter Oundjian |
| Location: | Roy Thomson Hall, Toronto, Canada |
| Jeffrey Beecher interview: | site link: http://www.podcastdirectory.com/podshows/2291554 |
| MP3 link: http://media.libsyn.com/media/tso/TSOPodcast_20080114.mp3 ("Per Questa" and Viennese Tuning are mentioned toward the end of interview) |
|
| Concert Reviews: |
| Performance date : | January 27, 2008 - 3:00 pm |
| Performer: | Jeffrey Beecher (db) ; Jonathan Lemalu (bass) |
| String setup: | 4 string D setup - steel strings |
| Instrument: | Giovanni Battista Rogeri - Brescia, 1690 |
| Composer - Work - Work #: | W. A. Mozart - Per questa bella mano - K. 612 other repertoire on the concert: W. A. Mozart - Don Giovanni Overture, K. 527 W. A. Mozart - Piano Concerto No. 12, K. 414 W. A. Mozart - Arias featuring Mr. Lemalu W. A. Mozart - Symphony No. 36, K. 425 Linz |
| Occasion: | TSO "Mozart@252 Festival" - Matinee Masterworks Series |
| Concert title: | Mozart Linz Symphony |
| Ensemble: | Toronto Symphony Orchestra |
| Conductor: | Peter Oundjian |
| Location: | George Weston Recital Hall at the Toronto Centre for the Arts, Toronto, Canada |
| Jeffrey Beecher interview: | site link: http://www.podcastdirectory.com/podshows/2291554 |
| MP3 link: http://media.libsyn.com/media/tso/TSOPodcast_20080114.mp3 ("Per Questa" and Viennese Tuning are mentioned toward the end of interview) |
|
| Concert Reviews: |
| Performance date : | July 25, 2005 |
| Performer: | Edicson Ruiz |
| String setup: | 4 string D setup - steel strings |
| Instrument: | ? |
| Composer - Work - Work #: | W. A. Mozart - Per questa bella mano - K. 612 Giovanni Bottesini ? |
| Ensemble: | Orquesta Sinfónica de la Juventud Venezolana Simón Bolívar |
| Conductor: | Sung Kwak |
| Location: | Sala José Félix Ribas, Teatro Teresa Carreño, Caracas , Venzuela |
| Recording Available: | ? |
| Notes: |
| Performance date : | 2005, ? |
| Performer: | Radoslav aina |
| String setup: | Eb setup |
| Instrument: | |
| Composer - Work - Work #: | J.M. Sperger - Konzert Nr. 18 c mol - B 20 |
| Ensemble: | Slovak Sinfonieta éilina |
| Conductor: | Peter Vronský |
| Location: | ? |
| Recording Available: |
| Performance date : | 2004, ? |
| Performer: | Radoslav aina |
| String setup: | D setup, gut strings |
| Instrument: | |
| Composer - Work - Work #: | J.M. Sperger - Konzert Nr. 15 D Dur - B 17 |
| Occasion: | Bratislava Musikfestival "Mozartwoche" |
| Ensemble: | Slowakischer Philharmonie Orchester : Musica aeterna |
| Conductor: | Peter Zajicek |
| Location: | Bratislava, Slowakia |
| Recording Available: |
| Performance date : | November 18, 2000 - 7:30 pm. |
| Performer: | Tobias Glöckler (db), André Eckert (bass voice) |
| String setup: | 4 string D setup - gut strings |
| Instrument: | |
| Composer - Work - Work #: | J. M. Sperger - Aria "Se lene, del tuo fuoco" [db, bass voice] - H III/2 W. A. Mozart - Aria "Per questa bella mano" [db, bass voice] - K. 612 |
| Occasion: | Stiftung Kloster Michaelstein - 21. Musikinstrumentenbau-Symposium, "Geschichte, Bauweise und Spieltechnik der tiefen Sreichinstrumente" 2000. |
| Ensemble: | Telemann-Kammerorchester Michaelstein |
| Conductor: | Bad Elster |
| Location: | Refektorium der Stiftung Kloster Michaelstein, Germany |
| Recording Available: | yes |
| Performance date : | June 10, 2000 - 7 pm. |
| Performer: | Esko Laine (db), Robert Holl (bass voice) |
| String setup: | 4 string D setup - steel strings |
| Instrument: | Giuseppe Rocca |
| Composer - Work - Work #: | W. A. Mozart - Aria "Per questa bella mano" [db, bass voice] - K. 612 Other works on the program: Augusta Read Thomas - Aurora für Klavier und Orchester W. A. Mozart - Resta, o cara - K. 528 W. A. Mozart - Per queste due manine - K. 540b W. A. Mozart - Symphony No. 39 - K. 543 |
| Ensemble: | Berlin Philharmonic |
| Conductor: | Daniel Barenboim |
| Location: | Philharmonie Hall, Berlin, Germany |
| Link: | Berlin Philharmonic - concert link |
| Recording Available: | ? |
| Performance date : | June 2-3, 1999 - 8 pm. |
| Performer: | Esko Laine (db), Thomas Quasthoff (baritone) |
| String setup: | 4 string D setup - steel strings |
| Instrument: | Giuseppe Rocca |
| Composer - Work - Work #: | W. A. Mozart - Aria "Per questa bella mano" [db, bass voice] - K. 612 Other works on the program: J. Haydn - Symphony No. 70 W. A. Mozart - Rivolgete a lui lo sguardo - K. 584 W. A. Mozart - Così dunque tradisci ... Aspri rimorsi atroci - K. 432 W. A. Mozart - Alcandro, lo confesso ... Non so, d'onde viene - K. 512 Brett Dean - Carlo Musik für (15) Streicher, Sampler und Tonband J. Haydn - Symphony No. 90 |
| Ensemble: | Berlin Philharmonic |
| Conductor: | Sir Simon Rattle |
| Location: | Philharmonie Hall, Berlin, Germany |
| Link: | Berlin Philharmonic - concert link |
| Recording Available: | ? |
| Performance date : | April 26, 1997 - 7:30 pm. |
| Performer: | Igor Pecevski |
| String setup: | 4 string Eb setup - steel strings |
| Instrument: | Unknown Czech 20th Century |
| Composer - Work - Work #: | J.B. Vanhal - Concerto in Eb per il Contrabasso - W. II h |
| Ensemble: | Greece Community Orchestra |
| Conductor: | Raffaele Ponti |
| Location: | Greece Arcadia High School Auditorium, Greece NY, USA |
| Recording Available: | yes |
| Notes: | This performance was realized with kind cooperation of the Greece Community Orchestra, an amateur organization of the City of Greece located just north of Rochester NY. This was also a wonderful opportunity to try an E flat Viennese setup for the first time on Vanhal concerto, which was so far always performed in D. The string setup for this event was actually a steel string setup with a top solo A string "pushed" up to the B flat - resulting in a very hard feel on the bass. As an experiment in setup it worked, however since then a better way to set the steel strings to E flat setup was found, and you can read about it in the String Choice section. All the troubles aside, the performance was warmly received, and the recording along with the few photos preserved for posterity. This is possibly the first authentic Viennese E flat performance of the Vanhal concerto in the US. |
| Performance date : | March 13, 1997 - ? pm. |
| Performer: | Chi-chi Nwanoku |
| String setup: | 4 string - gut strings |
| Instrument: | |
| Composer - Work - Work #: | Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso (no. 2) - Krebs 172 |
| Ensemble: | Orchestra of the Age of Enlightenment |
| Conductor: | Frans Bruggen |
| Location: | Salamanca, Spain |
| Performance date : | March 12, 1997 - ? pm. |
| Performer: | Chi-chi Nwanoku |
| String setup: | 4 string - gut strings |
| Instrument: | ? |
| Composer - Work - Work #: | Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso (no. 2) - Krebs 172 |
| Ensemble: | Orchestra of the Age of Enlightenment |
| Conductor: | Frans Bruggen |
| Location: | Valencia, Spain |
| Performance date : | March 11, 1997 - ? pm. |
| Performer: | Chi-chi Nwanoku |
| String setup: | 4 string - gut strings |
| Instrument: | ? |
| Composer - Work - Work #: | Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso (no. 2) - Krebs 172 |
| Ensemble: | Orchestra of the Age of Enlightenment |
| Conductor: | Frans Bruggen |
| Location: | Seville, Spain |
| Performance date : | December 13, 1996 - ? pm. |
| Performer: | Chi-chi Nwanoku |
| String setup: | 4 string - gut strings |
| Instrument: | ? |
| Composer - Work - Work #: | Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso (no. 2) - Krebs 172 |
| Ensemble: | Orchestra of the Age of Enlightenment |
| Conductor: | Frans Bruggen |
| Location: | St. Georges Bristol Hall, Bristol, UK |
| Performance date : | December 12, 1996 - ? pm. |
| Performer: | Chi-chi Nwanoku |
| String setup: | 4 string - gut strings |
| Instrument: | ? |
| Composer - Work - Work #: | Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso (no. 2) - Krebs 172 |
| Ensemble: | Orchestra of the Age of Enlightenment |
| Conductor: | Frans Bruggen |
| Location: | Queen Elizabeth Hall, London, UK |
| Performance date : | November 10 1991, 3:00 - pm |
| Performer: | Wilmer Fawcett (db), Gary Relyea (bass voice) |
| String setup: | 4 string D setup - steel strings |
| Instrument: | John Lott, 1840 |
| Composer - Work - Work #: | W. A. Mozart - Per questa bella mano - K. 612 The remainder of program: other Mozart's choral works. |
| Occasion: | Sunday afternoon concert series |
| Ensemble: | CBC Radio Orchestra and Bach Choir of Vancouver |
| Conductor: | Bruce Pullan |
| Location: | Orpheum Theatre, Vancouver, Canada |
| Recording Available: | yes - featured at music samples under "Mozart - Per Questa" |
| Program Notes: | |
| Notes: | This performance of Mozart's "Per Questa", which has taken place in the wonderful auditorium of Orpheum Theatre in Vancouver in a concert that was also recorded for the CBC radio broadcast. While discussing concert program a CBC producer has wished for Mr. Relyea to do yet another piece and Wilmer Fawcet was quick to suggest Mozart's Aria. Thus on a short deadline this piece was quickly prepared. This is very likely the first authentic concert of the famous Mozart Aria realized in Canada. Congratulations to Bill! |
| Performance date : | July 27, 1991 - 8 pm |
| Performer: | Peter Buckoke (Viennese Violone) ; Alastair Miles (bass) |
| String setup: | 5 string D setup - gut strings |
| Instrument: | |
| Composer - Work - Work #: | W. A. Mozart - Per questa bella mano - K. 612 [also performed on the concert: Piano concerto K. 595; Dances of 1791 K. 600, 601, 603, 604, 605, 609, 610; Clarinet Concerto K. 622.] |
| Occasion: | The Mostly Mozart Festival |
| Ensemble: | London Classical Players |
| Conductor: | Roger Norrington |
| Location: | Avery Fisher Hall - Lincoln Center, New York, NY, USA. |
| Recording Available: | ? |
| Notes: | This is very likely the first modern performance of Mozart's "Per questa" on the period Viennese setup in the USA. The very performance was a superb artistic achievement both in the sense of historic recreation and the musical experience. The author of this text was sitting way back in the hall on the third balcony level, and can testify that every single note and nuance of Bukocke's playing was audible, perfectly clear and most enjoyable. This was a clear proof that a period solo performance could withstand the highest standard of the modern performance expectations and assert itself in the most critical artistic environment of the world. Bravo! |
| Reviews: | "New York Times" July 30, 1991 |
| Performance date : | April 4, 1991 - 2 pm. |
| Performer: | Igor Pecevski |
| String setup: | D setup, steel strings |
| Instrument: | Unknown Czech 20th Century |
| Composer - Work - Work #: | Wenzel Pichl - Concerto in D per il Violone Principale - |
| Ensemble: | Eastman Chamber Orchestra |
| Conductor: | John Russo |
| Location: | Eastman School of Music, Anex 902 Hall, Rochester NY, USA |
| Recording Available: | yes |
| Notes: | This performance has occurred as a concluding part of the lecture recital for my DMA degree requirement at the Eastman School of Music. The preparation for this performance has been guided by my own research, musicological expertise of late Dr. Alfred Mann and musical direction of Prof. James Vandemark. Unless proven otherwise, this is the first official concerto performance on the Viennese bass in the USA. |
| Performance date : | January 27, 1989 - ? pm |
| Performer: | Chi-Chi Nwanoku (db) ; Michael George (baritone) |
| String setup: | 4 string D setup, gut strings |
| Instrument: | ? |
| Composer - Work - Work #: | W. A. Mozart - Per questa bella mano - K. 612 |
| Ensemble: | Orchestra of the Age of Enlightenment |
| Conductor: | Sigiswald Kuijken |
| Location: | Queen Elizabeth Hall, London , UK |
| Recording Available: | ? |
| Notes: | This is probably the first modern public performance in Viennese Tuning in the world and also the first modern performance of the well known Mozart aria in the original setup. Congratulations to Chi-chi! |
| Recording date : | December 12-13, 1982 |
| Broadcast date: | November 18, 1983 - CBC FM band |
| Performer: | Wilmer Fawcett |
| String setup: | 5 string D setup - steel strings |
| Instrument: | Czech or Eastern European bass ca. 1900 |
| Composer - Work - Work #: | Karl Kohaut - Concerto in D |
| Occasion: | Studio recording session for CBC broadcast |
| Ensemble: | CBC Radio Orchestra |
| Conductor: | Elizabeth Wilcock - led orchestra from the 1st violin stand as a concertmaster |
| Location: | CBC Studio 1, Vancouver, Canada |
| Recording Available: | yes - featured at music samples under "Kohaut - Concerto" |
| Recording announcement: | Introduction by Shelagh Rogers |
| Notes: | According to the presently available information this is the first modern performance featuring the Viennese tuning in our time. Coincidentally this is also the first modern performance of Kohaut's concerto in the original and the full credit for editing the concerto from original score, organizing the performance and finally recording the same - should go to Willmer Fawcett. This particular recoding session was intended solely for public broadcast and has also included 3 other baroque concertos. In all probability not only was this recording the first modern public performance in Viennese tuning but also a fine presentation of one of the earliest Viennese concerti. Congratulations to Bill for undertaking this brave project! |
Last update: June 9, 2010
Posted: April 18, 2009