Performance: Solos with Orchestra

This is the list of all solo Viennese performances accompanied with the orchestra group. The Full-record list is preceded by the Short List which shows only the date and the performer. By clicking on the date you will be linked directly to the full record located below. The Short List is also interlinked with the Compact Disc records that feature solos with orchestra. All the entries are presented in the chronological order, where the latest - or the one in preparation - will always be cited on the top.

Should you know of any other solo Viennese performances with the orchestra, you are welcome to send an update to the Contact address.

Short List:

Click on date to open the full record
Date: Performer:
Oct.       4, 2009 Bret Simner
Oct.       3, 2009 Edicson Ruiz
Aug.   27, 2009 Darija Andjelic-Andzakovic
June  11, 2009 Bret Simner
May   1-2, 2009 Deborah Dunham
Jan.    26, 2008 Jeffrey Beecher
Jan.    27, 2008 Jeffrey Beecher
Jan.    10, 2006 - CD David Sinclair
July     25, 2005 Edicson Ruiz
                   2005 Radoslav Šašina
                   2004 Radoslav Šašina
Oct. 9-11, 2003 - CD Lars Baunkilde
Nov.    18, 2000 Tobias Glöckler
June   10, 2000 Esko Laine
Mar.      6, 2000 - CD Chi-Chi Nwanoku
June 2-3, 1999 Esko Laine
May           1997 - CD Lars Baunkilde
April   26, 1997 Igor Pecevski
Mar.   13, 1997 Chi-chi Nwanoku
Mar.   12, 1997 Chi-chi Nwanoku
Mar.   11, 1997 Chi-chi Nwanoku
Dec.   13, 1996 Chi-chi Nwanoku
Dec.   12, 1996 Chi-chi Nwanoku
Nov.    22, 1992 - CD Radoslav Šašina
Nov.    10, 1991 Wilmer Fawcett
July    27, 1991 Peter Buckoke
April     4, 1991 Igor Pecevski
Jan.   27, 1989 Chi-chi Nwanoku
Dec.  18, 1982 - rec. Wilmer Fawcett


     

Full record list:

Upcoming Performances: No information available at this time

Past performances:



Performance date : October 4, 2009 - 11 am
Performer: Bret Simner
String setup: 5 string D setup - gut strings
Instrument: Stadlmann (from the Instrument Collection of the Musikinstrumenten-Museum Berlin )
Composer - Work - Work #: W. Pichl       - Concerto in D per il Violone Principale
Dittersdorf  - Duetto in Es
J.B. Vanhal - Concerto in Eb per il Contrabasso
Ensemble: "Ensemble Pischelberger"
Location: Musikinstrumenten-Museum Berlin , Berlin, Germany
Link: Musikinstrumenten-Museum Berlin - concert announcement
Concert Announcement: pdf flyer
Notes:  

 



Performance date : October 3, 2009
Performer: Edicson Ruiz
String setup: 4 string D and Eb setups - steel strings
Instrument:  
Composer - Work - Work #: J. M. Sperger          -    Aria " Se lene, del tuo fuoco " - H III /2 (D setup)
W. A. Mozart            -    Aria Per questa bella mano - K. 612 (D setup)
C. D.  v Dittersdorf  -   Concerto per il Violone – K. 171 (E flat setup)
F. A. Hoffmeister     -   Concerto in Es-Dur per il Contrabasso - [no.3] (Eb setup)
J. B. Vanhal              -   Concerto in Eb per il Contrabass - W. II h (Eb setup)
Ensemble: Orquesta Sinfónica Simón Bolîvar
Location: Caracas, Venezuela
Recording: Video links:
• J. M. Sperger - Aria " Se lene, del tuo fuoco " - H III/2
• W. A. Mozart - Aria Per questa bella mano - K. 612
• C. D. v Dittersdorf - Concerto per il Violone – K. 171, 1 st mov.
• C. D. v Dittersdorf - Concerto per il Violone – K. 171, 2 nd mov.
• C. D. v Dittersdorf - Concerto per il Violone – K. 171, 3 rd mov.
• F. A. Hoffmeister - Concerto in Es-Dur per il Contrabasso – 1 st mov.

• F. A. Hoffmeister - Concerto in Es-Dur per il Contrabasso – 2 nd mov.

• F. A. Hoffmeister - Concerto in Es-Dur per il Contrabasso – 3 rd mov.
• J.B. Vanhal - Concerto in Eb per il Contrabass - W. II h, 1 st mov.
• J.B. Vanhal - Concerto in Eb per il Contrabass - W. II h, 2 nd mov.

• J.B. Vanhal - Concerto in Eb per il Contrabass - W. II h, 3 rd mov.
Notes:
This is probably the first integral performance of Dittersdorf, Vanhal and Hoffmeister concertos along with Sperger and Mozart arias ever to occur in the world! Congratualtions!

 



Performance date : August 27, 2009 - 8pm
Performers: Darija Andjelic-Andzakovic (solo bass), Amelia Giles (violin 1), Fiona Haughton (violin 2), Wen Chuan Lin (viola), Yoon Bee Jee (cello), Alanna Jones (double bass), Candy Lai (harpsichord)
String setup: 4 string Eb setup - steel strings
Instrument: French bass ca. 1900, flat back (see poster)
Composer - Work - Work #: Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso - Krebs 172
Concert title: "Looking at the 3rd/4th Dimension"  Lecture-recital about Viennese tuning.
Occasion: Masters minor recital
Location: School of Music, University of Auckland, New Zealand
Recording Available: yes (video)
Poster: jpeg image of the poster - Hannah Gross photography and Rob Schultze editing
Notes:
This performance has occurred as a part of the lecture recital for the Master of Music degree requirement at the University of Auckland School of Music. The concerto was performed from Daria's own edition in the original key of Eb, without any cuts and featuring a harpsichord continuo part. The faculty supervisors for this project were U. of Auckland professors Margaret Cooke (Baroque violoncello) and John Harrison (double bass). Unless proven otherwise, this is the first public Viennese bass performance in New Zealand.

 



Performance date : June 11, 2009 - 10 am
Performer: Bret Simner
String setup: 5 string - D setup
Instrument: Willer (Prague ca. 1770)
Composer - Work - Work #: W. Pichl       - Concerto in D per il Violone Principale
J.B. Vanhal - Concerto in Eb per il Contrabasso
Concert title: Recital "Viennese Double Bass"
Location: Eisenhower Chapel, Penn State University, PA, USA
Recording Available:  
Notes: This performance has occurred in conjunction with the International Society of Bassists 2009 Convention at Penn State University.

 



Performance date : May 1-2, 2009 - 8 pm
Performer: Deborah Dunham (db) ; Kevin Deas (bass-baritone)
String setup: D setup,
Instrument: Johann Georg Thir, 1770
Composer - Work - Work #: W. A. Mozart - Per questa bella mano - K. 612

other repertoie on the concert:
Michael Haydn - Requiem in C minor
W. A. Mozart - "Basta vincesti"  K.486a

Joseph Haydn - Symphony No. 102
Concert title: Mozart & The Haydns
Ensemble: Boston Baroque
Conductor: Martin Perlman
Location: New England Conservatory, Jordan Hall, Boston MA, USA
Recording Available:  
Links: Boston Baroque, Deborah Dunham feature
Concert Reviews: Boston Globe, May 5 2009

 



Performance date : January 26, 2008 - 7:30 pm
Performer: Jeffrey Beecher (db) ; Jonathan Lemalu (bass)
String setup: 4 string D setup - steel strings
Instrument: Giovanni Battista Rogeri - Brescia, 1690
Composer - Work - Work #: W. A. Mozart - Per questa bella mano - K. 612

other repertoire on the concert:
W. A. Mozart - Piano Concerto No. 12, K. 414
W. A. Mozart - Arias featuring Mr. Lemalu
W. A. Mozart - Symphony No. 36, K. 425 “ Linz ”
Occasion: TSO "Mozart@252 Festival" - Connoisseur Series
Concert title: Mozart Linz Symphony
Ensemble: Toronto Symphony Orchestra
Conductor: Peter Oundjian
Location: Roy Thomson Hall, Toronto, Canada
Jeffrey Beecher interview: site link: http://www.podcastdirectory.com/podshows/2291554
MP3 link: http://media.libsyn.com/media/tso/TSOPodcast_20080114.mp3
("Per Questa" and Viennese Tuning are mentioned toward the end of interview)
Concert Reviews:  

 



Performance date : January 27, 2008 - 3:00 pm
Performer: Jeffrey Beecher (db) ; Jonathan Lemalu (bass)
String setup: 4 string D setup - steel strings
Instrument: Giovanni Battista Rogeri - Brescia, 1690
Composer - Work - Work #: W. A. Mozart - Per questa bella mano - K. 612

other repertoire on the concert:
W. A. Mozart - Don Giovanni Overture, K. 527
W. A. Mozart - Piano Concerto No. 12, K. 414
W. A. Mozart - Arias featuring Mr. Lemalu
W. A. Mozart - Symphony No. 36, K. 425 “ Linz ”
Occasion: TSO "Mozart@252 Festival" - Matinee Masterworks Series
Concert title: Mozart Linz Symphony
Ensemble: Toronto Symphony Orchestra
Conductor: Peter Oundjian
Location: George Weston Recital Hall at the Toronto Centre for the Arts, Toronto, Canada
Jeffrey Beecher interview: site link: http://www.podcastdirectory.com/podshows/2291554
MP3 link: http://media.libsyn.com/media/tso/TSOPodcast_20080114.mp3
("Per Questa" and Viennese Tuning are mentioned toward the end of interview)
Concert Reviews:  

 

Performance date : July 25, 2005
Performer: Edicson Ruiz
String setup: 4 string D setup - steel strings
Instrument: ?
Composer - Work - Work #: W. A. Mozart - Per questa bella mano - K. 612
Giovanni Bottesini ?
Ensemble: Orquesta Sinfónica de la Juventud Venezolana Simón Bolívar
Conductor: Sung Kwak
Location: Sala José Félix Ribas, Teatro Teresa Carreño, Caracas , Venzuela
Recording Available: ?
Notes:  

 



Performance date : 2005, ?
Performer: Radoslav Šašina
String setup: Eb setup
Instrument:  
Composer - Work - Work #: J.M. Sperger - Konzert Nr. 18 c mol - B 20
Ensemble: Slovak Sinfonieta éilina
Conductor: Peter Vronský
Location: ?
Recording Available:  

 



Performance date : 2004, ?
Performer: Radoslav Šašina
String setup: D setup, gut strings
Instrument:  
Composer - Work - Work #: J.M. Sperger - Konzert Nr. 15 D Dur - B 17
Occasion: Bratislava Musikfestival "Mozartwoche"
Ensemble: Slowakischer Philharmonie Orchester : Musica aeterna
Conductor: Peter Zajicek
Location: Bratislava, Slowakia
Recording Available:  

 



Performance date : November 18, 2000 - 7:30 pm.
Performer: Tobias Glöckler (db), André Eckert (bass voice)
String setup: 4 string D setup - gut strings
Instrument:  
Composer - Work - Work #: J. M. Sperger - Aria "Se lene, del tuo fuoco" [db, bass voice] - H III/2
W. A. Mozart - Aria "Per questa bella mano" [db, bass voice] - K. 612
Occasion: Stiftung Kloster Michaelstein - 21. Musikinstrumentenbau-Symposium, "Geschichte, Bauweise und Spieltechnik der tiefen Sreichinstrumente" 2000.
Ensemble: Telemann-Kammerorchester Michaelstein
Conductor: Bad Elster
Location: Refektorium der Stiftung Kloster Michaelstein, Germany
Recording Available: yes

 



Performance date : June 10, 2000 - 7 pm.
Performer: Esko Laine (db), Robert Holl (bass voice)
String setup: 4 string D setup - steel strings
Instrument: Giuseppe Rocca
Composer - Work - Work #: W. A. Mozart - Aria "Per questa bella mano" [db, bass voice] - K. 612 

Other works on the program:
Augusta Read Thomas - Aurora für Klavier und Orchester 
W. A. Mozart - Resta, o cara - K. 528  
W. A. Mozart - Per queste due manine - K. 540b 
W. A. Mozart - Symphony No. 39 - K. 543 
Ensemble: Berlin Philharmonic
Conductor: Daniel Barenboim
Location: Philharmonie Hall, Berlin, Germany
Link: Berlin Philharmonic - concert link
Recording Available: ?

 



Performance date : June 2-3, 1999 - 8 pm.
Performer: Esko Laine (db), Thomas Quasthoff (baritone)
String setup: 4 string D setup - steel strings
Instrument: Giuseppe Rocca
Composer - Work - Work #: W. A. Mozart - Aria "Per questa bella mano" [db, bass voice] - K. 612 

Other works on the program:
J. Haydn - Symphony No. 70 
W. A.  Mozart - Rivolgete a lui lo sguardo - K. 584 
W. A.  Mozart - Così dunque tradisci ... Aspri rimorsi atroci - K. 432  
W. A.  Mozart - Alcandro, lo confesso ... Non so, d'onde viene - K. 512 
Brett Dean - Carlo Musik für (15) Streicher, Sampler und Tonband 
J. Haydn - Symphony No. 90
Ensemble: Berlin Philharmonic
Conductor: Sir Simon Rattle
Location: Philharmonie Hall, Berlin, Germany
Link: Berlin Philharmonic - concert link
Recording Available: ?

 



Performance date : April 26, 1997 - 7:30 pm.
Performer: Igor Pecevski
String setup: 4 string Eb setup - steel strings
Instrument: Unknown Czech 20th Century
Composer - Work - Work #: J.B. Vanhal - Concerto in Eb per il Contrabasso - W. II h
Ensemble: Greece Community Orchestra
Conductor: Raffaele Ponti
Location: Greece Arcadia High School Auditorium, Greece NY, USA
Recording Available: yes
Notes:
This performance was realized with kind cooperation of the Greece Community Orchestra, an amateur organization of the City of Greece located just north of Rochester NY. This was also a wonderful opportunity to try an E flat Viennese setup for the first time on Vanhal concerto, which was so far always performed in D. The string setup for this event was actually a steel string setup with a top solo A string "pushed" up to the B flat - resulting in a very hard feel on the bass. As an experiment in setup it worked, however since then a better way to set the steel strings to E flat setup was found, and you can read about it in the String Choice section.

All the troubles aside, the performance was warmly received, and the recording along with the few photos preserved for posterity. This is possibly the first authentic Viennese E flat performance of the Vanhal concerto in the US.

 



Performance date : March 13, 1997 - ? pm.
Performer: Chi-chi Nwanoku
String setup: 4 string - gut strings
Instrument:  
Composer - Work - Work #: Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso (no. 2) - Krebs 172
Ensemble: Orchestra of the Age of  Enlightenment
Conductor: Frans Bruggen
Location: Salamanca, Spain

 



Performance date : March 12, 1997 - ? pm.
Performer: Chi-chi Nwanoku
String setup: 4 string - gut strings
Instrument: ?
Composer - Work - Work #: Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso (no. 2) - Krebs 172
Ensemble: Orchestra of the Age of  Enlightenment
Conductor: Frans Bruggen
Location: Valencia, Spain

 



Performance date : March 11, 1997 - ? pm.
Performer: Chi-chi Nwanoku
String setup: 4 string - gut strings
Instrument: ?
Composer - Work - Work #: Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso (no. 2) - Krebs 172
Ensemble: Orchestra of the Age of  Enlightenment
Conductor: Frans Bruggen
Location: Seville, Spain

 



Performance date : December 13, 1996 - ? pm.
Performer: Chi-chi Nwanoku
String setup: 4 string - gut strings
Instrument: ?
Composer - Work - Work #: Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso (no. 2) - Krebs 172
Ensemble: Orchestra of the Age of  Enlightenment
Conductor: Frans Bruggen
Location: St. Georges Bristol Hall, Bristol, UK

 



Performance date : December 12, 1996 - ? pm.
Performer: Chi-chi Nwanoku
String setup: 4 string - gut strings
Instrument: ?
Composer - Work - Work #: Karl Ditters von Dittersdorf - Concerto in Eb per il Contrabasso (no. 2) - Krebs 172
Ensemble: Orchestra of the Age of  Enlightenment
Conductor: Frans Bruggen
Location: Queen Elizabeth Hall, London, UK

 



Performance date : November 10 1991, 3:00 - pm
Performer: Wilmer Fawcett (db), Gary Relyea (bass voice)
String setup: 4 string D setup - steel strings
Instrument: John Lott, 1840
Composer - Work - Work #: W. A. Mozart - Per questa bella mano - K. 612

The remainder of program: other Mozart's choral works.
Occasion: Sunday afternoon concert series
Ensemble: CBC Radio Orchestra and Bach Choir of Vancouver
Conductor: Bruce Pullan
Location: Orpheum Theatre, Vancouver, Canada
Recording Available: yes - featured at music samples under "Mozart - Per Questa"
Program Notes:  
Notes:
This performance of Mozart's "Per Questa", which has taken place in the wonderful auditorium of Orpheum Theatre in Vancouver in a concert that was also recorded for the CBC radio broadcast. While discussing concert program a CBC producer has wished for Mr. Relyea to do yet another piece and Wilmer Fawcet was quick to suggest Mozart's Aria. Thus on a short deadline this piece was quickly prepared. This is very likely the first authentic concert of the famous Mozart Aria realized in Canada. Congratulations to Bill!

 



Performance date : July 27, 1991 - 8 pm
Performer: Peter Buckoke (Viennese Violone) ; Alastair Miles (bass)
String setup: 5 string D setup - gut strings
Instrument:  
Composer - Work - Work #: W. A. Mozart - Per questa bella mano - K. 612
[also performed on the concert: Piano concerto K. 595; Dances of 1791 K. 600, 601, 603, 604, 605, 609, 610; Clarinet Concerto K. 622.]
Occasion: The Mostly Mozart Festival
Ensemble: London Classical Players
Conductor: Roger Norrington
Location: Avery Fisher Hall - Lincoln Center, New York, NY, USA.
Recording Available: ?
Notes:
This is very likely the first modern performance of Mozart's "Per questa" on the period Viennese setup in the USA. The very performance was a superb artistic achievement both in the sense of historic recreation and the musical experience. The author of this text was sitting way back in the hall on the third balcony level, and can testify that every single note and nuance of Bukocke's playing was audible, perfectly clear and most enjoyable. This was a clear proof that a period solo performance could withstand the highest standard of the modern performance expectations and assert itself in the most critical artistic environment of the world. Bravo!
Reviews: "New York Times" July 30, 1991

 



Performance date : April 4, 1991 - 2 pm.
Performer: Igor Pecevski
String setup: D setup, steel strings
Instrument: Unknown Czech 20th Century
Composer - Work - Work #: Wenzel Pichl - Concerto in D per il Violone Principale -
Ensemble: Eastman Chamber Orchestra
Conductor: John Russo
Location: Eastman School of Music, Anex 902 Hall, Rochester NY, USA
Recording Available: yes
Notes:
This performance has occurred as a concluding part of the lecture recital for my DMA degree requirement at the Eastman School of Music. The preparation for this performance has been guided by my own research, musicological expertise of late Dr. Alfred Mann and musical direction of Prof. James Vandemark. Unless proven otherwise, this is the first official concerto performance on the Viennese bass in the USA.

 



Performance date : January 27, 1989 - ? pm
Performer: Chi-Chi Nwanoku (db) ; Michael George (baritone)
String setup: 4 string D setup, gut strings
Instrument: ?
Composer - Work - Work #: W. A. Mozart - Per questa bella mano - K. 612
Ensemble: Orchestra of the Age of  Enlightenment
Conductor: Sigiswald  Kuijken
Location: Queen Elizabeth Hall, London , UK
Recording Available: ?
Notes:
This is probably the first modern public performance in Viennese Tuning in the world and also the first modern performance of the well known Mozart aria in the original setup. Congratulations to Chi-chi!

 



Recording date : December 12-13, 1982
Broadcast date: November 18, 1983 - CBC FM band
Performer: Wilmer Fawcett
String setup: 5 string D setup - steel strings
Instrument: Czech or Eastern European bass ca. 1900
Composer - Work - Work #: Karl Kohaut - Concerto in D
Occasion: Studio recording session for CBC broadcast
Ensemble: CBC Radio Orchestra
Conductor: Elizabeth Wilcock - led orchestra from the 1st violin stand as a concertmaster
Location: CBC Studio 1, Vancouver, Canada
Recording Available: yes - featured at music samples under "Kohaut - Concerto"
Recording announcement: Introduction by Shelagh Rogers
Notes:
According to the presently available information this is the first modern performance featuring the Viennese tuning in our time. Coincidentally this is also the first modern performance of Kohaut's concerto in the original and the full credit for editing the concerto from original score, organizing the performance and finally recording the same - should go to Willmer Fawcett. This particular recoding session was intended solely for public broadcast and has also included 3 other baroque concertos. In all probability not only was this recording the first modern public performance in Viennese tuning but also a fine presentation of one of the earliest Viennese concerti.

Congratulations to Bill for undertaking this brave project!

 

 

 

 

 

 

 

 

 

 

 

 

 

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Last update: June 9, 2010

Posted:         April 18, 2009