Bibliography: Lectures

Cited are all the lectures related to the subject of Viennese tuning - including its history, literature, performance practice, period performers and composers. The performances associated with these lectures may, or may not have been given in the Viennese tuning. For the exclusive list of the Viennese tuning performances please see the "Performance" column of the home page.

This list is organized in the chronological order.

Should you know of any other lectures that match the above criteria, you are welcome to send your updates to the Contact address.

Date Scholar Lecture Title Type Institution Name - Location R.A.
Aug. 27 2009, 8pm Darija Andjelic-Andzakovic "Looking at the 3rd/4th Dimension"  Lecture-recital about Viennese tuning LP School of Music, University of Auckland, New Zealand  
June 11, 2009 Oskar Kappelmeier The Viennese Bass of the 18th Century L 2009 ISB Convention, Penn Sate University, PA, USA  
June 6, 2003 Tobias Glöckler Viennese Tuning - The Most Efficient Beginning LP 2003 ISB Convention, University of Virginia, Richmond, VA, USA  
Review: ISB XXVII 2. (2003): p.22.
June 5, 2003 Klaus Trumpf,
Roman Patkolo - demonstration
The long missed Haydn - Concerto? LP 2003 ISB Convention, University of Virginia, Richmond, VA, USA  
June 7, 2001 Klaus Trumpf Discovering Unknown Works of the Classical Period LP 2001 ISB Convention, Butler University, Indianapolis, IN, USA  
Review: ISB XXV 2. (2001): p.13.
June ?, 2001 Tobias Glöckler Unknown Reality of the Hoffmeister Concerto LP 2001 ISB Convention, Butler University, Indianapolis, IN, USA  
Review: ISB XXV 2. (2001): p.9.
Nov. 19, 2000 Clive Fletcher The Classical Viennese double bass as a solo instrument and its music in the Schwerin archive and the Gesellschaft der Musikfreunde - with special reference to the works of Johannes Sperger L 21. Musikinstrumentenbau-Symposium 2000. "Geschichte, Bauweise und Spieltechnik der tiefen Sreichinstrumente". S. K. Michaelstein, Germany  
Nov. 19, 2000 Josef Focht Der Wiener Kontrabass als Beipiel regionaler Differenzierung von Instrumentenbau, Spieltechnik, Repertoire und historischer Aufführungspraxis L 21. Musikinstrumentenbau-Symposium 2000. "Geschichte, Bauweise und Spieltechnik der tiefen Sreichinstrumente". S. K. Michaelstein, Germany  
Nov. 19, 2000 Igor Pecevski The Double Bass Playing Technique of Johann Matthias Sperger LP 21. Musikinstrumentenbau-Symposium 2000. "Geschichte, Bauweise und Spieltechnik der tiefen Sreichinstrumente". S. K. Michaelstein, Germany  
Nov. 19, 2000 Thomas Schiegnitz Kontrabass von Andreas Jaiss (Tölz 1736) in Original und Nachbau L 21. Musikinstrumentenbau-Symposium 2000. "Geschichte, Bauweise und Spieltechnik der tiefen Sreichinstrumente". S. K. Michaelstein, Germany  
Nov. 19, 2000 Oskar Kappelemeyer Der Wiener Kontrabass im 18. Jahrhudert - bautechinsche Merkmale und Besonderheiten L 21. Musikinstrumentenbau-Symposium 2000. "Geschichte, Bauweise und Spieltechnik der tiefen Sreichinstrumente". S. K. Michaelstein, Germany  
June ?, 1999 Klaus Trumpf,
Zsuzsuanna Juhast - demonstration
? LP 1999 ISB Convention, University of Iowa, Iowa City, IA, USA  
Review: ISB XXIII 2. (1999): p.27.
June ?, 1999 Tobias Glöckler ? LP? 1999 ISB Convention, University of Iowa, Iowa City, IA, USA  
Review: ISB XXIII 2. (1999): p.27.
June 3, 1997
4:30 pm.
Joëlle Morton The 16th, 17th and 18th Century Bass and Its Repertoire   1997 ISB Convention, Shepherd School of Music, Rice University, Houston, TX, 1997  
Review: ISB XXII 1. (1997): p.22.
June ?, 1997 Tobias Glöckler ?   1997 ISB Convention, Shepherd School of Music, Rice University, Houston, TX, 1997  
Review: ISB XXII 1. (1997): p.22.
May   5, 1997
4:15 pm.
Igor Pecevski The Viennese Double Bass and Johann Matthias Sperger's Concerto No. 13 LP Barnes Hall, Department of Music, Cornell University, Ithaca, NY, USA  
Mar.  27, 1997
3 pm.
Igor Pecevski The Viennese Double Bass and Johann Matthias Sperger's Concerto No. 13 LP Eastman Musicology Symposium, Formal Lounge Hall, Eastman School of Music, Rochester, NY, USA yes
July 27, 1991
4:55 pm.
Cliff Eisen Mozart and the Creative Process LP The Mostly Mozart Festival, Lincoln Center, Alice Tully Hall, New York, NY, USA  
May 31, 1991
12 pm.
Klaus Trumpf,
Miloslav Gajdos - demonstration
Virtuosen in J. M. Spergers Werken LP International Doublebass - Week ISB, 1991. Gaigenbauschule. Mittenwald, Germany  
Review: ISB XVIII 1. (1991-2): p.10, p.13.
May 28, 1991
12 pm.
Josef Focht
David Sinclair - demonstration
Wiener Serenaden für Flöte, Bratsche und Kontrabass LP International Doublebass - Week ISB, 1991. Gaigenbauschule. Mittenwald, Germany  
Review: ISB XVIII 1. (1991-2): p.10
May 26, 1991
4 pm.
Harald Friedrich Wiener Stimmung in der Praxis LP International Doublebass - Week ISB, 1991. Gaigenbauschule. Mittenwald, Germany  
Review: ISB XVIII 1. (1991-2): p.10, p.17.
April 4, 1991
2 pm.
Igor Pecevski The Viennese Solo Bass: The Instrument, its Technique, History and Repertoire LP Annex 902 Hall, Eastman School of Music, Rochester University, Rochester, NY, USA yes
Aug. 26, 1988 Harry Jacobson Lecture-recital on the F. A. Hoffmeister solo quartet LP 1988 ISB Convention, University of Southern California in Los Angeles, Los Angeles, CA, USA  
Nov. 16, 1981 Harry Jacobson DMA Lecture-recital on the F. A. Hoffmeister solo quartet LP School of Music, University of North Texas, Denton, TX, USA  

 

"Type" signifies a lecture type: "L" stands for standard lecture (talk, slides, handouts etc.)
"LP" stands for Lecture and Performance, or a practical demonstration on instrument
"RA" stands for "Recording Available" By clicking on "yes" you will be linked directly to the Person or Institution that may provide the recording of a cited lecture

 

 

 

 

 

 

 

 

 

 

 

HOME

Last update: July 3, 2009

Posted:         May 5, 2009